A composition course that develops writing skills beyond the levels of proficiency required by ENGL 1101, that emphasizes interpretation and evaluation, and that incorporates a variety of more advanced research methods. Develops communication skills in networked electronic environments, emphasizes interpretation and evaluation of cultural texts, and incorporates research methods in print and on the Internet.
Critical Thinking
Critical thinking involves understanding social and cultural texts and contexts in ways that support productive communication and interaction.
- Analyze arguments.
- Accommodate opposing points of view.
- Interpret inferences and develop subtleties of symbolic and indirect discourse.
- Use writing and reading for inquiry, learning, thinking, and communicating.
- Integrate ideas with those of others.
- Understand relationships among language, knowledge, and power.
- Recognize the constructedness of language and social forms.
Rhetoric
Rhetoric focuses on available means of persuasion, considering the synergy of factors such as context, audience, purpose, role, argument, organization, design, visuals, and conventions of language.
- Adapt communication to circumstances and audience.
- Produce communication that is stylistically appropriate and mature.
- Communicate in standard English for academic and professional contexts.
- Sustain a consistent purpose and point of view.
- Use a variety of technologies to address a range of audiences.
- Learn common formats for different kinds of texts.
- Develop knowledge of genre conventions ranging from structure and paragraphing to tone and mechanics.
- Control such surface features as syntax, grammar, punctuation, and spelling.
- Create artifacts that demonstrate the synergy of rhetorical elements.
- Demonstrate adaptation of register, language, and conventions for specific contexts and audiences.
- Apply strategies for communication in and across both academic disciplines and cultural contexts in the community and the workplace.
Process
Processes for communication—for example, creating, planning, drafting, designing, rehearsing, revising, presenting, publishing—are recursive, not linear. Learning productive processes is as important as creating products.
- Find, evaluate, analyze, and synthesize appropriate primary and secondary sources.
- Develop flexible strategies for generating, revising, editing, and proofreading.
- Understand collaborative and social aspects of writing processes.
- Critique their own and others’ works.
- Balance the advantages of relying on others with [personal] responsibility.
- Construct and select information based on interpretation and critique of the accuracy, bias, credibility, authority, and appropriateness of sources.
- Compose reflections that demonstrate understanding of the elements of iterative processes, both specific to and transferable across rhetorical situations.
Modes and Media
Activities and assignments should use a variety of modes and media—written, oral, visual, electronic, and nonverbal (WOVEN)—singly and in combination. The context and culture of multimodality and multimedia are critical.
- Interpret content of written materials on related topics from various disciplines.
- Compose effective written materials for various academic and professional contexts.
- Assimilate, analyze, and present a body of information in oral and written forms.
- Communicate in various modes and media, using appropriate technology.
- Use digital environments for drafting, reviewing, revising, editing, and sharing texts.
- Locate, evaluate, organize, and use research material collected from electronic sources, including scholarly library databases; other official (e.g., federal) databases; and informal electronic networks and internet sources.
- Exploit differences in rhetorical strategies and affordances available for both print and electronic composing processes and texts.
- Create WOVEN (written, oral, visual, electronic, and nonverbal) artifacts that demonstrate interpretation, analysis, synthesis, evaluation, and judgment.
- Demonstrate strategies for effective translation, transformation, and transference of communication across modes and media.
All films on the syllabus are available on Amazon.com for about $4.
Artifact 0 -- 5 percent
Artifact 1 -- 20 percent
Artifact 2 -- 25 percent
Artifact 3 -- 30 percent
Final Portfolio -- 10 percent
Participation/Attendance -- 10 percent
Evaluation Equivalencies Table
A: 90-100
Superior performance—rhetorically, aesthetically, and technically—demonstrating
advanced understanding and use of the media in particular contexts. An inventive spark
and exceptional execution.
B: 80-89
Above-average, high-quality performance—rhetorically, aesthetically, and
technically.
C: 70-79
Average (not inferior) performance. Competent and acceptable—rhetorically,
aesthetically, and technically.
D: 60-69
Below-average performance. Needs substantive work — rhetorically, aesthetically,
and/or technically.
F: 0-59
Unacceptable performance. Failure to meet minimum criteria rhetorically,
aesthetically, and/or technically.
Attending class faithfully is the surest guarantee of your enjoyment of and success in the course. There may be times when you cannot or should not attend class, such as if you are not feeling well, have an interview, or have family responsibilities. Therefore, this course allows a specified number of absences without penalty, regardless of reason. You are allowed 4 absences (equivalent to 2 weeks of class). Four absences means you could miss slightly more than 10% of the class and still get an A. Each additional absence past 4 will lower your final grade by 2%. Your instructor can communicate with you about how to access materials or make up work.
Students are expected to maintain the highest standards of academic integrity. All work submitted must be original and properly cited. Plagiarism, cheating, or any form of academic dishonesty will result in immediate consequences as outlined in the university's academic integrity policy.
Attending class faithfully is the surest guarantee of your enjoyment of and success in the course. There may be times when you cannot or should not attend class, such as if you are not feeling well, have an interview, or have family responsibilities. Therefore, this course allows a specified number of absences without penalty, regardless of reason. You are allowed 4 absences (equivalent to 2 weeks of class). Four absences means you could miss slightly more than 10% of the class and still get an A. Each additional absence past 4 will lower your final grade by 2%. Your instructor can communicate with you about how to access materials or make up work.